<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7525846564454870709</id><updated>2012-02-20T12:29:21.432Z</updated><title type='text'>Women and the Arts: Dialogues in Female Creativity in the U.S. and Beyond</title><subtitle type='html'>International Conference
-  15-17 June 2011 -  
University of Lisbon Centre for English Studies (ULICES)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://womenandthearts.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-3970962819555459806</id><published>2011-10-20T13:11:00.012+01:00</published><updated>2011-10-20T13:19:44.889+01:00</updated><title type='text'>ONLINE VIDEOS OF PRESENTATIONS</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 255);font-family:georgia;font-size:180%;"  &gt;You may view the Women and the Arts Conference presentations by:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 153, 51);font-size:180%;" &gt;&lt;a style="color: rgb(204, 153, 51);" href="https://educast.fccn.pt/vod/channels/z71m5rdsd"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-weight: bold;"&gt;Clicking here - Women and the Arts Conference Videos&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-3970962819555459806?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/3970962819555459806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/3970962819555459806'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2011/10/online-videos-of-waa-presentations.html' title='ONLINE VIDEOS OF PRESENTATIONS'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-8704101034104778685</id><published>2011-04-17T15:25:00.009+01:00</published><updated>2012-02-20T12:26:58.500Z</updated><title type='text'>INTRODUCTION</title><content type='html'>&lt;div  style="text-align: justify;font-family:georgia;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;"&gt;The editing of the &lt;span style="font-style: italic;"&gt;Women and The Arts&lt;/span&gt; volume (Peter Lang, 2012) is currently in process.&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The American Studies Group of the &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/home.html"&gt;University of Lisbon Centre for English Studies&lt;/a&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/home.html"&gt; (ULICES)&lt;/a&gt; organized &lt;span style="color: rgb(204, 153, 51);"&gt;"Women and the Arts: Dialogues in Female Creativity&lt;/span&gt;&lt;span style="color: rgb(204, 153, 51);"&gt; in the U.S. and Beyond"&lt;/span&gt; (15-17 June 2011). The three-day international conference promoted a reflection on women's artistic production, contrasting the U.S. context with other cultures.&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;The conference in&lt;span style="color: rgb(204, 153, 51);"&gt; &lt;/span&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;a href="http://www.visitlisboa.com/Home_UK.aspx?lang=en-GB"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Lisbon&lt;/span&gt; &lt;/a&gt;&lt;/span&gt;covered multiple areas, including writing, the visual arts, music, and the performing arts. We debated women's aesthetic expression in the U.S. and elsewhere in these diversified fields, from modernity to the contemporary age, and reflected on the specific conditions of production, circulation, and reception of their works.&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;We engaged scholars from a wide range of areas, as well as artists, critics, and curators, fostering interdisciplinary debate.&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(204, 153, 51);font-size:130%;" &gt;&lt;strong&gt;                                                     PLENARY SPEAKERS :&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul  style="text-align: justify;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt; &lt;span style="color: rgb(204, 153, 51);"&gt;&lt;a href="http://www.sandramgilbert.com/"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Sandra M. Gilbert, &lt;span style="color: rgb(255, 255, 255);"&gt;Professor Emerita, University of California Davis (USA)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;, groundbreaking American critic, theorist, and poet. Co-author&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt; with Susan Gubar&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold; font-style: italic;font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt; of&lt;span style="color: rgb(204, 153, 51);"&gt; &lt;/span&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://books.google.com/books?id=MYJuQgAACAAJ&amp;amp;dq=The+Female+Imagination+and+the+Modernist+Aesthetic&amp;amp;hl=pt-PT&amp;amp;ei=rIy1TM20MITKswa62qC3CA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCcQ6AEwAA"&gt; &lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 153, 51); font-style: italic;font-size:130%;" &gt;&lt;a href="http://books.google.com/books?id=MYJuQgAACAAJ&amp;amp;dq=The+Female+Imagination+and+the+Modernist+Aesthetic&amp;amp;hl=pt-PT&amp;amp;ei=rIy1TM20MITKswa62qC3CA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCcQ6AEwAA"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;The Female Imagination and the Modernist Aesthetic&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://books.google.com/books?id=3oxf7_BsD_sC&amp;amp;dq=madwoman+in+the+attic&amp;amp;hl=pt-PT&amp;amp;ei=Z4y1TKOgMcjEswaptO23CQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCsQ6AEwAA"&gt;&lt;span style="font-style: italic;"&gt;The Madwoman in the Attic: &lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://books.google.com/books?id=3oxf7_BsD_sC&amp;amp;dq=madwoman+in+the+attic&amp;amp;hl=pt-PT&amp;amp;ei=Z4y1TKOgMcjEswaptO23CQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCsQ6AEwAA"&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(204, 153, 51);" class="subtitle"&gt;the Woman Writer and the Nineteenth-Century Literary Imagination&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;, and &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;the three volumes of &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;i style="color: rgb(255, 255, 255);"&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://books.google.com/books?id=UPa6xjLFidQC&amp;amp;dq=No+Man%27s+Land:+The+Place+of+the+Woman+Writer+in+the+Twentieth+Century&amp;amp;hl=pt-PT&amp;amp;ei=JI21TOaNJIbFswapnsiYCA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCcQ6AEwAA"&gt;No Man's Land: The Place of the Woman Writer in the Twentieth Century&lt;/a&gt;.&lt;/i&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul  style="text-align: justify;font-family:georgia;"&gt;&lt;li style="font-weight: bold; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://www2.warwick.ac.uk/fac/soc/philosophy/people/associates/battersby/"&gt;&lt;span style="color: rgb(255, 102, 0); font-weight: bold;"&gt;Christine Battersby&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;,&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="" lang="EN-US"&gt; Reader Emerita in Philosophy, Associate Fellow of the &lt;a style="color: rgb(255, 255, 255);" href="http://www2.warwick.ac.uk/fac/soc/philosophy/research/phillit/"&gt;Centre for Philosophy, Literature &amp;amp; the Arts  at the University of Warwick&lt;/a&gt; and Fellow of the Royal Society of Arts, UK. Her thought-provoking interdisciplinary research spans feminist aesthetics, feminist metaphysics,&lt;/span&gt;&lt;/strong&gt;  &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="font-weight: bold;"&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/em&gt;&lt;span style="font-weight: bold;"&gt;natality; philosophies of embodiment;  philosophy of race; the sublime; women and 'genius' in philosophy,  literature and the visual arts. Her many publications include  &lt;a style="font-style: italic; color: rgb(204, 153, 51);" href="http://www.polity.co.uk/book.asp?ref=9780745615554"&gt;The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; and &lt;/span&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://books.google.com/books?id=_0G4AAAAIAAJ&amp;amp;q=Gender+and+Genius&amp;amp;dq=Gender+and+Genius&amp;amp;hl=pt-PT&amp;amp;ei=0DO7TOWkD8XDswa0-a3IDQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCoQ6AEwAA"&gt;&lt;span style="font-style: italic;"&gt;Gender and Genius: Towards a Feminist Aesthetics&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul  style="text-align: justify;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.edwardlucie-smith.co.uk/"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Edward Lucie-S&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.edwardlucie-smith.co.uk/"&gt;mith&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;, internationally&lt;/span&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;renowned&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt; art critic, poet, photographer, &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;  &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;curator, and broadcaster. A notably prolific author,  his titles include &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;font-size:130%;" &gt;&lt;i&gt;&lt;a&gt;Race, Sex and Gender in Contemporary Art&lt;/a&gt;: The Rise of Minority Culture&lt;/i&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,  and &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255);"&gt; &lt;a style="color: rgb(204, 153, 51);" href="http://books.google.com/books?id=ykMgPQAACAAJ&amp;amp;dq=Women+and+Art:+Contested+Territory,&amp;amp;hl=pt-PT&amp;amp;ei=V421TNeME8bEswb2h-mkCA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=2&amp;amp;ved=0CCwQ6AEwAQ"&gt;Women and Art: Contested Territory&lt;/a&gt;, &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;co-authored with Judy Chicago.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="text-align: justify;font-family:georgia;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;The U.S. and Beyond - Comparative Approaches include:&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul  style="text-align: justify;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;The influence of American gender theory and politics&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Women's Art and American Regionalism&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="color: rgb(204, 153, 51);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Canonical dynamics and the transatlantic debate&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Criteria for the definition of a specifically feminine cultural and artistic production&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Critical revisions towards representative literary and art histories&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Women artists' perspectives on traditions, categories, and the politics of art institutions&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;GLBT subjectivities and the arts&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;The outlook for women's art at the onset of the 21st century&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-8704101034104778685?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/8704101034104778685'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/8704101034104778685'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2010/08/call-for-papers-deadline-31-january.html' title='INTRODUCTION'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-4088455902893768198</id><published>2011-04-17T15:20:00.005+01:00</published><updated>2011-06-06T18:34:54.352+01:00</updated><title type='text'>CONFERENCE PROGRAM, SPEAKERS AND BIOS</title><content type='html'>&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;br /&gt;The lists of abstracts, titles, and bios of speakers are available for download by clicking below:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.mediafire.com/?n2kzzo1r4rbm7nt"&gt;Abstracts and Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.mediafire.com/?hzv369furjbt1t4"&gt;Bios of Speakers&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="font-family: georgia;" href="http://www.mediafire.com/?1w94ll9xqhqhu"&gt;&lt;span style="font-weight: bold; color: rgb(204, 153, 51);"&gt;Conference Program&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="text-align: left;font-family:georgia;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;(&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Or request your copies to be sent by email: &lt;/span&gt;womenartslisbon@gmail.com&lt;span style="color: rgb(255, 255, 255);"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-4088455902893768198?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/4088455902893768198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/4088455902893768198'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2011/02/conference-program-speakers-and-bios.html' title='CONFERENCE PROGRAM, SPEAKERS AND BIOS'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-498637476438547642</id><published>2011-04-17T15:15:00.057+01:00</published><updated>2012-02-20T12:29:21.442Z</updated><title type='text'>CULTURAL PROGRAM</title><content type='html'>&lt;div  style="font-weight: bold; text-align: center;font-family:georgia;"&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span&gt;Featuring&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; in the event:&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;ul  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;An exhibition of the piece&lt;/span&gt; "Valquíria Enxoval" (2009) &lt;span style="color: rgb(255, 255, 255);"&gt;by Portuguese artist &lt;/span&gt;&lt;a href="http://www.joanavasconcelos.com/"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Joana Vasconcelos&lt;/span&gt;&lt;/a&gt;, &lt;span style="color: rgb(255, 255, 255);"&gt;Hall of the Faculty of Letters - UL. &lt;span style="color: rgb(204, 153, 51);"&gt;Joana Vasconcelos gave a talk about this piece and her art on the opening day of the conference.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;A &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;workshop&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; mentored by acclaimed&lt;/span&gt;&lt;/span&gt; international &lt;span style="color: rgb(204, 153, 51);"&gt;s&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;torytellers&lt;/span&gt; &lt;a href="http://www.laurasimms.com/"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Laura Simms&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.murielbloch.com/"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Muriel Bloch&lt;/span&gt;&lt;/a&gt; &lt;span style="color: rgb(204, 153, 51);"&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;(limit: 20 participants; Cf. registration form)&lt;/span&gt;&lt;/span&gt;, with a performance closing the conference.&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;A  session with&lt;/span&gt; &lt;span style="color: rgb(255, 102, 0);"&gt; &lt;/span&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.lisbonplayers.com.pt/site/"&gt;The Lisbon Players&lt;/a&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;Antoinette Keogh, Amanda Booth and Jonathan Weightman&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;,  who will be &lt;span style="color: rgb(204, 153, 51);"&gt; reading   American women poets&lt;/span&gt;.&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; A commemorative session marking &lt;a style="color: rgb(204, 153, 51);" href="http://www.poetryfoundation.org/bio/elizabeth-bishop"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Elizabeth Bishop&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;'s &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;centennial &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul  style="text-align: justify;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;A round table with contemporary Portuguese women artists&lt;/span&gt; discussing how American art has influenced their production&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(204, 153, 51);font-size:130%;" &gt;&lt;span&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;An exhibition of selected art works reimaging the Infanta Margarita  in Velázquez's &lt;span style="font-style: italic;"&gt;Las Meninas &lt;/span&gt;by&lt;/span&gt; students &lt;span style="color: rgb(255, 255, 255);"&gt;from Ginestal Machado Secondary School (Santarém)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span style="color: rgb(204, 153, 51);"&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;at the Library of the Faculty of Letters&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul  style="text-align: justify; font-weight: bold; font-family: georgia;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span&gt; &lt;span style="color: rgb(255, 204, 51);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;"The Voice of the Word (Retelling  Scheherazade)":&lt;/span&gt; &lt;/span&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;improvisation session &lt;/span&gt;closing the conference, with the &lt;span style="color: rgb(255, 102, 0);"&gt;storytellers&lt;/span&gt; &lt;span style="color: rgb(255, 102, 0);"&gt;Laura Simms&lt;/span&gt; and &lt;span style="color: rgb(255, 102, 0);"&gt;Muriel Bloch&lt;/span&gt; accompanied by musician/composer &lt;span style="color: rgb(255, 102, 0);"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.myspace.com/luisagoncalves"&gt;Luísa Gonçalves&lt;/a&gt; &lt;/span&gt;and  &lt;span style="color: rgb(255, 255, 255);"&gt;dancer/coreographer &lt;/span&gt;&lt;a href="http://irislican.blogspot.com/"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;Iris Lican&lt;/span&gt;&lt;/a&gt;.    &lt;span&gt;Venue: &lt;a style="color: rgb(204, 153, 51);" href="http://cinemasaojorge.pt/apresentacao.php"&gt;Cinema São Jorge&lt;/a&gt; &lt;/span&gt;&lt;span&gt;(City Center; Avenida metro station, blue line. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span dir="ltr"&gt;Address [click for map]: &lt;a href="http://maps.google.com/maps/mm?ie=UTF8&amp;amp;hl=en&amp;amp;sll=38.720303,-9.145852&amp;amp;sspn=0.006295,0.006295&amp;amp;ll=38.720491,-9.145485&amp;amp;spn=0.003968,0.010568&amp;amp;z=17"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Avenida da Liberdade, number 175. 1250-141 Lisboa&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a href="http://maps.google.com/maps/mm?ie=UTF8&amp;amp;hl=en&amp;amp;sll=38.720303,-9.145852&amp;amp;sspn=0.006295,0.006295&amp;amp;ll=38.720491,-9.145485&amp;amp;spn=0.003968,0.010568&amp;amp;z=17"&gt;)&lt;/a&gt;. This session will  feature in the &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a href="http://www.festivalsilencio.com/"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Festival Silêncio!&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a href="http://www.festivalsilencio.com/"&gt; &lt;/a&gt;program (Lisbon, 15-25 June). &lt;span style="color: rgb(204, 153, 51);"&gt;€6 for non-conference members.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;ul  style="text-align: justify; font-weight: bold; font-family: georgia;font-family:georgia;"&gt;&lt;li&gt;&lt;span style="color: rgb(255, 255, 255);font-size:130%;" &gt;&lt;span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;a href="http://vimeo.com/24162163"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;"Enxoval - Bottom Drawer"&lt;/span&gt;&lt;/a&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;one-hour&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; documentary on Joana Vasconcelos' "Valquíria Enxoval " 2009 piece, by&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;  color: rgb(255, 102, 0);font-family:georgia;font-size:130%;"  &gt;&lt;strong style="font-weight: normal;"&gt; &lt;span style="font-weight: bold;"&gt;Pedro Macedo, Kitty Oliveira, and Isabel Freire. &lt;span style="color: rgb(255, 255, 255);"&gt;(Portuguese language, English Subtitles).&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;strong&gt;Celebrated Portuguese poet &lt;span style="color: rgb(255, 102, 0);"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://international.poetryinternationalweb.org/piw_cms/cms/cms_module/index.php?obj_id=6096"&gt;Ana Luísa Amaral&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;also a scholar in American literature, was one of our invited speakers.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-498637476438547642?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/498637476438547642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/498637476438547642'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2011/04/cultural-program.html' title='CULTURAL PROGRAM'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-4134495765079908545</id><published>2011-04-17T15:10:00.015+01:00</published><updated>2011-04-20T15:56:35.085+01:00</updated><title type='text'>CONFERENCE RATES, ONLINE REGISTRATION FORM, CONTACT INFO</title><content type='html'>&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="color: rgb(204, 102, 0);font-size:130%;" &gt;&lt;strong&gt;To register, please click below to fill our&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 153, 51);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="text-align: center; color: rgb(204, 153, 51); font-weight: bold;font-family:georgia;"&gt;&lt;span style="color: rgb(204, 102, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 204, 102);font-size:130%;" &gt;&lt;strong&gt;&lt;a href="https://pco.abreu.pt/CLIENTES/abreu/formularios/form_5437502906.php"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;ONLINE REGISTRATION FORM&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://pco.abreu.pt/CLIENTES/abreu/formularios/form_5437502906.php"&gt; &lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;p  style="font-weight: bold;font-family:georgia;" align="justify"&gt;&lt;span style="color: rgb(204, 102, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;EXCEPTION:&lt;/span&gt; FACULTY OF LETTERS STUDENTS (UNIVERSITY OF LISBON) REGISTER FOR FREE BY SIMPLY SENDING AN EMAIL TO &lt;/span&gt;&lt;/strong&gt;&lt;a href="mailto:womenartslisbon@gmail.com"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 102, 0);"&gt;womenartslisbon@gmail.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; WITH FULL NAME AND CONTACT; DO NOT USE THE ONLINE FORM&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="font-weight: bold;font-family:georgia;" align="justify"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="color: rgb(204, 102, 0);font-size:130%;" &gt;&lt;strong&gt;Registration fees:&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Standard &lt;/span&gt;150 euros&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;;&lt;br /&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 102, 0);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Students (non-working / non-grantees)&lt;/span&gt; &lt;/span&gt;50 euros&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 102, 0);"&gt;Students from the Faculty of Letters of the University of Lisbon:&lt;/span&gt; &lt;span style="color: rgb(255, 255, 255);"&gt;free admittance&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="color: rgb(255, 102, 0); text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="color: rgb(255, 102, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Please send your queries to:&lt;/span&gt;&lt;span style="color: rgb(204, 102, 0);"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/diana-vieira-de-campos-almeida-en.html"&gt;Diana Almeida&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; and &lt;/span&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/paula-elyseu-mesquita-en.html"&gt;Paula Elyseu Mesquita&lt;/a&gt; at&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;div  style="text-align: center; font-weight: bold;font-family:georgia;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="mailto:womenartslisbon@gmail.com"&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 102, 0);"&gt;womenartslisbon@gmail.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-4134495765079908545?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/4134495765079908545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/4134495765079908545'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2010/10/registration-fees-and-contact-info.html' title='CONFERENCE RATES, ONLINE REGISTRATION FORM, CONTACT INFO'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-2945996212080009578</id><published>2011-04-17T15:05:00.020+01:00</published><updated>2011-05-17T12:11:41.319+01:00</updated><title type='text'>ORGANIZATION AND MAIN VENUE</title><content type='html'>&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;Conference Directors:&lt;a href="http://www.ulices.org/g5-estudos-americanos/maria-teresa-gomes-ferreira-de-almeida-alves-en.html"&gt; &lt;span style="color: rgb(204, 153, 51);"&gt;Teresa Alves&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;font-family:georgia;font-size:130%;"  &gt; &lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;and &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/maria-teresa-de-salter-cid-goncalves-rocha-pires-en.html"&gt;Teresa Cid&lt;/a&gt;, ULICES&lt;br /&gt;&lt;/span&gt;&lt;div  style="text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Organizing Committee: &lt;a href="http://www.ulices.org/g5-estudos-americanos/diana-vieira-de-campos-almeida-en.html"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Diana Almeida&lt;/span&gt; &lt;/a&gt;and &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/paula-elyseu-mesquita-en.html"&gt;Paula Elyseu Mesquita&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;ULICES / Fundação para a Ciência e a Tecnologia.&lt;br /&gt;&lt;br /&gt;Executive Committee: &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/ana-cristina-de-aguilar-costa-e-franco-en.html"&gt;Ana Aguilar Franco&lt;/a&gt;,  &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/team.html"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Ana Daniela Coelho&lt;/span&gt;&lt;/a&gt;, &lt;a href="http://www.cinequanon.pt/ana-luisa-valdeira-da-silva.html"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Ana Luísa Valdeira&lt;/span&gt;&lt;/a&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/edgardo-antonio-medeiros-da-silva-en.html"&gt;Edgardo Medeiros Silva&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;, Inês Morais, &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g4-literaturas-e-culturas-de-expressao-inglesa/madalena-manzoni-palmeirim.html"&gt;Madalena Palmeirim&lt;/a&gt;, &lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/margarida-isabel-de-oliveira-vale-de-gato.html"&gt;Margarida Vale de Gato&lt;/a&gt;, &lt;a style="color: rgb(204, 153, 51);" href="http://www.linkedin.com/pub/rui-vitorino-azevedo/7/966/9a1"&gt;Rui Vitorino Azevedo&lt;/a&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;,&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a style="color: rgb(204, 153, 51);" href="http://www.ulices.org/g5-estudos-americanos/suzana-ramos-en.html"&gt;Suzana Ramos&lt;/a&gt; (ULICES).&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Location of Main Venue: &lt;a style="color: rgb(255, 255, 255);" href="http://maps.google.pt/maps?q=faculdade+de+letras+ul&amp;amp;oe=utf-8&amp;amp;rls=org.mozilla:en-GB:official&amp;amp;client=firefox-a&amp;amp;um=1&amp;amp;ie=UTF-8&amp;amp;sa=N&amp;amp;hl=pt-pt&amp;amp;tab=wl"&gt;Faculty of Letters, University of Lisbon - Alameda da Universidade&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Metro Station: Cidade Universitária, yellow line.&lt;span style="color: rgb(204, 153, 51);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;a style="color: rgb(255, 255, 204);" href="http://www.metrolisboa.pt/Default.aspx?tabid=138"&gt;Map of the Metro here: click on the Station to see the area (venue: building no. 15 on the map)&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p  style="color: rgb(255, 255, 255); text-align: center; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;For further info on &lt;span style="color: rgb(204, 102, 0);"&gt;ULICES&lt;/span&gt;, please visit:&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(204, 102, 0); text-align: justify; font-weight: bold;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.ulices.org/home.html"&gt;&lt;span style="color: rgb(204, 102, 0);"&gt;http://www.ulices.org/home.html&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-2945996212080009578?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/2945996212080009578'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/2945996212080009578'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2011/04/organization-and-main-venue.html' title='ORGANIZATION AND MAIN VENUE'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-7525846564454870709.post-6500806588253579735</id><published>2011-04-17T15:00:00.005+01:00</published><updated>2011-07-29T11:48:15.840+01:00</updated><title type='text'>PUBLICATION: WOMEN AND THE ARTS INTERNATIONAL COLLECTION OF ESSAYS</title><content type='html'>&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;"&gt;A selection of papers delivered at the conference&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;"&gt; will be edited into a &lt;span style="color: rgb(204, 153, 51);"&gt;collection of essays to be published internationally&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;br /&gt;&lt;br /&gt;PLEASE NOTE: &lt;/span&gt;All authors interested in contributing to this volume &lt;span style="color: rgb(255, 255, 255);"&gt;must submit their texts / drafts by 15 May 2011&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 153, 51); font-weight: bold;"&gt;Selection and announcement of papers to be published: &lt;span style="color: rgb(255, 255, 255);"&gt;by mid-August&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="color: rgb(204, 153, 51);"&gt;Submission of definitive version, upon acceptance:&lt;/span&gt; 30 days after acceptance.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Edition Guidelines available for download by clicking  below:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div  style="text-align: center;font-family:georgia;"&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://www.mediafire.com/?s0f850yh1sd4e6l"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;&lt;span style="font-weight: bold;"&gt;WOMEN AND THE ARTS EDITION GUIDELINES&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="color: rgb(204, 153, 51);"&gt;(or request your copy to be sent by email: womenartslisbon@gmail.com)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7525846564454870709-6500806588253579735?l=womenandthearts.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/6500806588253579735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7525846564454870709/posts/default/6500806588253579735'/><link rel='alternate' type='text/html' href='http://womenandthearts.blogspot.com/2011/02/publication-women-and-arts.html' title='PUBLICATION: WOMEN AND THE ARTS INTERNATIONAL COLLECTION OF ESSAYS'/><author><name>Women and the Arts - ULICES 2011</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://1.bp.blogspot.com/_hkxLTg9YNEc/THUWAFG9z-I/AAAAAAAAAHE/BiGBDuzCsPI/S220/cristina_robalo_00035.jpg'/></author></entry></feed>
